Silent Passage

3 june 2024






A composition of four works that explore the metaphysical implications of a
timekeeping device. By deconstructing and recontextualizing these instruments,
each piece challenges viewers to explore alternative perceptions and measurements
of the time passing, beyond the Western utilitarian concept of the 24-hour clock.

We often perceive time as clock time, a construct created by humans as a tool to
control and perfect. This understanding of time has made us servants to the clock,
shaping our entire way of thinking into a linear pattern. As result, everything around
us has been constructed in this linear manner, yet linear time is merely a construct
designed to serve a capitalistic world. Time has become a boundary, and art should
act as its liberation.

 



Arnhem, 2002